MMVI symbolically deconstructs the authority of television as a medium, by literally deconstructing the sanctity of the TV set itself as an object - to be represented as an icon, broken of its authority and rebuilt out of its own parts.

This is a clip of a multi-channel work, in which 4 monitors are used to deconstruct the turning off sequance of the monitor.  MMIV confronts the viewer with a monitor that is in the process of constantly switching itself off. The sequence slows progressively, stretching the length of the off sequence from its 1 second duration, toward a virtual stasis.  MMVI explores collective/mass experience and individual isolation by deconstructing the cathode ray signature.  MMIV explores the viewers relationship with an everyday object, and the viewers relationship to/with the screen and its imagery and sound.